Dracula vs Blade

Essay The Consequence Of modernness The context of a point of time in history greatly influences an authors bringing close together to create a story, and for someone else to evolve them. Events occurring inside companionship and the way people perceive others at a time also contributes majorly to the development of modernity. Bram Stokers novel genus genus Dracula and David Goyers film make troika contrast significantly as a result of conflict in context. Weaponry had developed immensely over the two stories to cater for the advancements from one classic vampire to a fresh, modern, powerful one.The story of Dracula, set in prissy times, consists of the simple, almost primitive weaponry, in particular ones of a superstitious and religious value. For example, Holy Water, Church Wafers, garlic and crucifixes were apply mostly to ward wrap up Dracula, but the one weapon to defeat him was a Bowie Knife, driven by dint of the heart, causing his body to wear into a pile of d ust. These weapons used were caseed to the times the novel was set in, and were designed to be a match for the current Draculas capabilities.An incredible contrast was cast between the weaponry in both texts, as wind vane Trinity evidently expressed the advancements of technology through the use of several(prenominal)(prenominal) variations of machine guns, assault rifles and pistols. Not only gun machinery was used, but also weapon ideas created for the movie low the category of Nightstalker armoury such as laser bows and arrows, electronic pistols, and most famously known for destroying the contemporary vampire race, the Daystar Serum. This use of developed technology from Stockers novel to Goyers film created the exploit of updated aspects to suit the change of attitudes in society.The intention behind these noticeable advancements of weaponry was to assist the technology to foregather appropriately with the increasingly powerful capabilities of Blade Trinitys Drake. The acc eptance and tolerance of violence within society would take on also created a factor contributing to weaponry advancements, as weapons became incredibly lethal through the movie Blade Trinity. Due to the concept of society sharing a greater acceptance of violence in media, weaponry was the very opposite to sugar-coated, and was portrayed as noisome as possible, only serving the purpose to kill.This could have been a possible reason as to why the weaponry to fight make a vampire had developed so differently into such blistering technology. The above points help support the idea of context, and habits of society greatly contributing to the newer weaponry designed to suit and adapt to the villains they are used to fight with against. The change in times can almost qualify characteristics of a character, as evident through the two comparing texts. Stokers Dracula and Blade Trinitys Drake display a great physical difference between them, which became obvious through comparison.Dr aculas dark appearance was firstly portrayed through Stokers novel as clad in black from head to foot, with proscribed a single speck of colour closely him anywhere. He was also described as sporting a heavy moustache, massive eyebrows, and bushy hair. He was of age, and wore characteristic and unmistakeable features upon his face. Appearance is an immediately noticeable difference between the two versions of head vampire, as Drake is portrayed visually as a modernised, young, handsome and clean-cut variation. He wore as clothes a chest-bare, white button up shirt and pants, as well as several necklaces.Already, the colour difference of garments is clear, as the fully-black enwrapped Dracula portrays a dark, classic look, whereas Drake sports a westernised uniform, almost perfectly fitting into the rest of society. As open through the scene of Drake marching almost fiercely through the busy streets of an American city, his appearance assists him to nearly blend in with the res t of the commonly dressed, city-goers. Unlike Drake, Dracula unquestionably stood out from any mortal commonly dressed, even in the dainty Era.This gave the effect of an obvious modernisation, and again, was an aspect created to suit the current audition and social habits. Differing context can prove to not only impact how a character is portrayed visually, but also how society perceives them, particularly with the uncertain concept of vampires possibly still being a ro humansce or legend within both texts. Stokers Dracula was generally feared by his surrounding community, and believers of vampires tended to be over-superstitious of the danger he may bring to people.The myth of vampires was a topic infrequently found in an average conversation, as it was dreaded that even discussion would transport cursed spate and risks. Superstition is conveyed through the scene of the innkeepers wife delivering the ominous warning to Harker by cautioning him that either the evil things in t he world will have full sway, before placing the Crucifix well-nigh his neck as a religious offering to hopefully serve the purpose of protection. This gives the effect that Dracula has a power above others, simply because they are fearful of him.Also, the way Dracula is written about expresses a sense that he may or may not intentionally give off an unwelcoming presence that tends to linger and produce a discomfort or fear among people within his surroundings, mostly in the earlier chapters of the novel. The contrast in comparison to societys perception of Drake is tremendous, as the myth or legend of vampires is far from a secret in the 21st century world of Blade Trinity. It is seen through the opening scene that vampires are discussed commonly on news events, designed to keep and inform the public of any danger emerging within the city.This shows immediately that the public is obviously used to hearing about the possible risks that arise with the company of vampires, which can again support the idea of range of modernity and development does in fact depend of how and how often changes in attitudes and culture occurs within society. A scene example of the general whole of societys views and perception in Blade Trinity was the tattoo parlour of which Drake had entered, and to his disgust, was mocked by several dozens of comedic merchandising, Dracula-themed products.Drake became visibly outraged, taking out his frustration on the shopkeepers, as he was clearly insulted with the modernisation progress vampires were experiencing, having some aspects of their lives portrayed a teeny-weeny too light-heartedly and humorously. This scene is an example of the great contrast of which seriousness seemed to begin to be abstracted from the vampire myth concept, whereas such merchandise products supplied in the Victorian times would have been less than humorous.These examples again support any reason for change and modernisation occurring simply to adapt to the forev er-changing social interests of the public. The average women of Victorian times were nothing other than lady-like, pure, and honourable without question. That is why there is such a severe mark when compared to some particular hard-hitting, courageous and heroic fe phallics of the 21st century, such as Blade Trinitys character Abigail.Firstly, Draculas leading female characters Mina and Lucy are great examples of typical, virtuous Victorian women, and are both also men-focused. Lucy portrays an obvious sexual magnetism, and cannot help but be drawn to several men. Evidently she is offered three proposals in one day, and proudly expresses, Why cant they let a girl marry three men, or as many want her, and save all this overturn? Mina is a different kind of man-focused Victorian woman, as she is far from sexually driven hostile Lucy, and cares only for further ways to be useful and valuable to her husband.The two girls possess common cleaning woman values, and act only as social ly accepted as woman, which is to behave in a powder-puff and respectable manner, with the exception of acting as a sexual tease when desired. Whereas in Blade Trinity, it is seen that Abigail (a strong-headed, find tomboy), is the complete opposite of the original characteristics possessed by Mina and Lucy. Abigail competes with the equivalent strength and determination of her male team partner Hannibal King, and is often the one rescuing Hannibal from danger.She possesses a fearless personality, and demonstrates brute-strength in scenes such as the give chase station, of which teenage-vamps attempt to devour her decoy baby and herself, but are stopped immediately once she whips out her lethal weapons, specifically designed for destroying vampires. She proves to be close to physically unstoppable, and has the willpower to take over the world. This swapping of gender roles is a reflection of what is currently recognised by society as a positive concept, as the 21st centurys rest rictions on what woman are capable of in a mans world are decreasing.Therefore a consequence of modernity would be that gender roles may have become less specific in society, which is reflected in the personality changes of characters of Dracula compared to Blade Trinity. In conclusion, acceptable practices and cultures within society are what influence the advancements and modernisation of one story to another. Cultures are forever changing, therefore ideas such as gender roles and technology within stories for example, will forever be adapting to the demands of society at that present time.